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Under the Wire: Marie Colvin's Final Assignment, by Paul Conroy
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Zero Dark Thirty meets 127 Hours—a riveting war journal�from photographer�Paul Conroy, who�accompanied�Marie Colvin�(called by her peers�“the greatest war correspondent of her generation”) during her ill-fated final assignment in Syria.
Marie Colvinwas an internationally recognized American foreign war correspondent who was killed in a rocket attack in 2012 while reporting on the suffering of civilians inside Syria. She was renowned for her iconic flair and her fearlessness: wearing the pearls that were a gift from Yasser Arafat and her black eye-patch, she reported from places so dangerous no other hard-core correspondent would dare to go. Paul Conroy, who had forged a close bond with Colvin as they put their lives on the line time and time again to report from the world’s conflict zones, was with her when she died. Under the Wire is Paul’s gripping, visceral, and moving account of their friendship and the final year he spent alongside her. When Marie and Paul were smuggled into Syria by rebel forces, they found themselves trapped in one of the most hellish neighborhoods on earth. Fierce barrages of heavy artillery fire rained down on the buildings surrounding them, killing and maiming hundreds of civilians. Marie was killed by a rocket which also blew hole in Paul’s thigh big enough to put his hand through. Bleeding profusely, short of food and water, and in excruciating pain, Paul then endured five days of intense bombardment before being evacuated in a daring escape in which he rode a motorbike through a tunnel, crawled through enemy terrain, and finally scaled a 12-foot-high wall. Astonishingly vivid, heart-stoppingly dramatic and shot through with dark humor, in Under the Wire Paul Conroy shows what it means to a be a war reporter in the 21st century. His is a story of two brave people drawn together by a shared compulsion to bear witness.
- Sales Rank: #284800 in Books
- Published on: 2013-10-08
- Released on: 2013-10-08
- Original language: English
- Number of items: 1
- Dimensions: 9.31" h x 1.14" w x 6.35" l, 1.20 pounds
- Binding: Hardcover
- 344 pages
From Booklist
In February 2012, American foreign-war correspondent Marie Colvin was killed by artillery fire in Syria. Her death, along with that of French photographer R�mi Ochlik, became international news as officials wrangled over retrieving their bodies and struggled to evacuate other journalists injured in the attack. Conroy, Colvin’s photographer, was with her and was nearly killed as well. In this tense, hour-by-hour account, he takes readers back to Syria and the events that led to their being behind the battle lines. He also recalls an earlier assignment with Colvin in Libya, providing insight into the stress war correspondents live under in their quest for truth. Conroy pulls no punches, but he clearly admired Colvin and it’s easy to understand why. Her relentless determination to document the suffering of civilians trapped within wars they cannot control is the stuff of legend. “We can help,” she explains at one point, “we can show the world; we can bear witness.” Colvin was a significant voice in international journalism and will be sorely missed, and Conroy’s account is unforgettable. --Colleen Mondor
Review
David Remnick,�The New Yorker
“Colvin devoted her life—and gave her life—for the proposition that the truth of history demands witnesses. Her death, like that of so many others, is yet another reminder, as if any more were needed, that experience in the field is no shelter from disaster.”
Tom Fletcher, British ambassador to Lebanon “Paul’s experience is a chilling testimony to what families in Homs are experiencing. We need renewed focus on humanitarian support and to put an end to violence.”
Booklist
“In this tense, hour-by-hour account, he takes readers back to Syria and the events that led to their being behind the battle lines… Colvin was a significant voice in international journalism and will be sorely missed, and Conroy’s account is unforgettable.”
Vanity Fair
“In�Under the Wire, Conroy relives their odyssey and its harrowing final hours.”
Publisher’s Weekly
“Conroy’s visceral account is provides readers with a greater appreciation for the work of war correspondents and insight into the sacrifices they make.”
Bookviews
“Anyone who has spent any time in a war zone, in combat, or just wondering what it is like will thoroughly enjoy this book. One might say they shared a foxhole or two together and the story he tells is gripping and a great tribute to his friend, a great journalist.”
Sunday Times
“A fine and gripping account of how the brave, rackety band of war reporters and photographers bring the human consequences of war to our breakfast tables.”
The Times, UK
“Paul Conroy’s touching memoir...is a tribute to the metier of reporting conflict...It’s a touching, if heartbreaking story.”
Humphrey Hawksley, BBC
“A masterpiece, possibly the finest account of war of this generation.”
Books Examiner
“This is an eye-opening account of what journalists go through to tell the world about the atrocities going on in war-torn countries like Syria.”
Another Opinion “This is one of those rare books that you will want to share with your friends. But by the end, Paul Conroy’s “Under the Wire” will have changed you. You’ll understand consequences of modern warfare for what it really is. It will make you want to delve deeper into what you see and hear in the media and learn what’s really happening in the world.”
About the Author
Paul Conroy is a former British soldier. As a photographer and filmmaker whose work spans 15 years, he has reported on the conflicts in Iraq, Congo, Kosovo, Libya, and Syria.
Q&A with author Paul Conroy
1.���� How do you settle the tension between covering situations like the one in Homs, Syria and leaving your family behind?
My family has been incredibly supportive of my career as a photojournalist covering conflict. That isn’t to say they haven’t suffered in many ways. It’s a very fine line to walk and, has in many ways, had a very detrimental effect on my relationships. My family understands the reasons I do such work, and my children have grown up watching me pack bags and disappear for months on end but, with every war it gets harder for both them and me. However, after a few months back at home they, rather cheekily, ask, “What are you still doing here?” I know they are proud of what I do and I hope that I have instilled in them the curiosity to question the accepted norms and never to accept anything at face value, especially war.
2.���� When working with other journalists such as Marie Colvin, you all witness first-hand the horrors of war. How do you prevent yourselves from becoming entirely disheartened? What drives you forward?
When Marie and I arrived in Homs at the height of the Syrian armies bombardment of the town, we both agreed that it was the worst shelling we had ever witnessed. It is those extremes that push you forward; neither of could walk away from the situation. It was mass slaughter and it simply reminded us of what we did and why we were there. On the night before Marie’s death we were both shivering, wrapped in our blankets whilst undergoing continual artillery bombardment, when Marie turned to me and asked, “If you weren’t being paid would you still be here,” “Of course,” I replied. She simply smiled saying, “I knew you would say that.” Even at that point we believed we could make a difference.
3.���� What made you decide to write this book? Was your experience in Syria something you always knew you would ultimately write about?
I had never considered writing a book about Syria. When I set off it was just another job—I was there to take pictures as part of a team. I’m not sure I even took a pen. It was only when I was back in London that the idea for a book came up, and I was lucky enough to be asked to write about it when my agent Annabel Murello approached me. I was on a lot of heavy-duty painkillers at the time and thought it would be a good thing to do. I had a very large hole in my leg and I thought it wise to do something.
4.���� Was it difficult for you to revisit your experiences with Marie in Syria as you wrote this book? Or did you find it a cathartic experience?
On the whole I found it a very cathartic process. I relived every minute of the whole assignment in great detail, forcing myself to remember every moment in order to avoid burying memories that may come back to bite me in the future. Over the course of writing the book, I took great comfort in the fact that I was bringing Marie back to life for potential readers. It was as if, for a just few months, she was back with me. I would laugh out loud at her jokes and titter to myself as I remembered her quirks and foibles. The worst part was writing the chapter when the house was attacked and Marie and Remi were killed. For months I had them back with me but, inevitably, in my mind I now had to kill them again. I put it of for a week or two, but one morning I woke and wrote that chapter in one sitting.
In many ways writing the book was was like a gentle letting go of Marie, a long but sad farewell, not the short brutal horror in the ruins of Baba Amr where I never h
Most helpful customer reviews
5 of 5 people found the following review helpful.
Under the Wire is an Assignement Well Done!
By Paul Hosse
War. It terrifies us. It freezes our very souls. Yet, through our better angels, it can call us to bear witness to its inhumanity and speak out against the carnage while giving voice to those silenced by the vacuum of destruction and death through words and images. War correspondent Marie Colvin was one of those better angels for whom hundreds could tell their stories, and it was through the masterfully told book "Under The Wire: Marie Colvin's Last Assignment", that her fellow war journalist and close friend, Paul Conroy, bears witness for her, lost friends, and comrades born of war. In a gripping and all too real adventure, Conroy takes us from the relative tranquility of a Beirut bar into the coldly calculating meat grinder of Assad's ongoing war; a war which knows no distinction between rebel or child or, ultimately, journalists.
Paul Conroy is a freelance photographer, who often works for the British newspaper, The Sunday Times. It is his job to convey to the world the frozen images in the mists of survival against an onslaught of unimaginable ferocity. In doing so, Conroy shows the world both the savagery of war and the human will to persevere. Marie Colvin was an award winning correspondent for The Sunday Times and author who covered the killing fields of Chechnya, Timor, Libya, and Sri Lanka, where she lost an eye and gained an eye patch and solidified her near mythical no holds barred reputation as a world class journalist. Theirs is a select few who routinely risked their lives in some of the world's most dangerous places to expose what governments, dictators, and tribal leaders deny, cover up---the massacres; the genocides; and the wholesale slaughter thousands of innocent victims.
Conroy's book, "Under the Wire: Marie Colvin's Last Assignment", calls out for our condemnation of war's inhumanity, while sharing with the reader the dedication of those who risk everything to bring the truth behind the offical statements and press releases. We owe it to ourselves to read this book; to learn the reality behind those 10 second sound bites and flickering images on our nightly news. But be warned. Once you start down this journey with Mr. Conroy, you won't be able to stop; you won't want to stop. Each page will drive you forward to the next. You'll be sweep away by the images created through this brilliant telling of Marie's and Paul's descend into a hell known as Baba Amr.
This is one of those rare books that you will want to share with your friends. But by the end, Paul Conroy's "Under the Wire" will have changed you. You'll understand consequences of modern warfare for what it really is. It will make you want to delve deeper into what you see and hear in the media and learn what's really happening in the world. So come along with Paul Conroy and become a witness to the greatest tragedy the world has seen in generations.
5 of 5 people found the following review helpful.
Great story, terrible book.
By Daniel Walsh
I don't often write reviews but in this case I felt I had to offer a balance to the baffling amount of 5 star reviews this book received, because a couple of chapters in I was annoyed that I'd been encouraged by them. I can only imagine they were given by friends and family of the author.
Here's the thing: Under The Wire is a great story but a terrible book. It's difficult to criticise it without feeling mean-spirited because Paul Conroy is undoubtedly a brave and well meaning guy. But Paul is a photographer not a writer and that fact becomes apparent very early in. To be fair the blame for how bad this book is has to be shared 50/50 with whoever is supposed to have edited it.
Here's a quick run down:
Pros:
- Clever jumping back and forth through time and places to build up back story.
- A gritty insight into the horrors of modern day war.
- The story of brave people trying to do the right thing.
Cons:
- Utterly dreadful childishly bad writing that distracts from what should be a compelling story.
- Paul "constantly" "tirelessly" "frequently" overuses adverbs that break up the flow of the narrative.
- There's no insight into the repercussions of Marie Colvin's death.
- I don't believe any conversation in this book happened as described. For some bizarre reason, when people talk to each other, they all call the person they're talking to by their first name. EVERY time. EVERY person. EVERY conversation.
"Paul do you think it's safe here?"
"Marie I don't know what to say"
"Wa'el how are you?"
"Paul I'm fine today"
"Marie we are getting into the car now"
"Paul I'm good"
(Not actual conversations from the book!) It's completely jarring and irritating and ruins the flow every time.
- Just bad bad writing, trying to be poetic with incomprehensible descriptions. Childishly bad stuff:
Here's an actual paragraph from page 177:
"We continued on our cross-country route as the sun bade us it's daily farewell. Slowly, with the silent and stealthy movement of a cat stalking it's prey, we were robbed of vision. Night fell upon us and with the darkness came the fear. It wrapped its invisible tentacles silently around all of us in the vehicle. No one spoke. The night belonged to the hunter and the hunted."
Page 253:
"What?" I replied in shock. The news was like a smack in the face, so powerful we're the words that tumbled from their lips."
Page 277:
"I'm sure I could have dismissed the whole affair as a rather quirky dream. Sadly, this wasn't the case and, just when I thought I had seen it all, there was more to come."
- Weird continuity errors: on one page he's walking down the street in winter, a few paragraphs later he's talking about how it's an autumn day.
- Constant childish talk about how much he loves cigarettes. There's "lovely" cigarettes in every chapter. Rarely have anything to do with the story, he just likes taking about cigarettes. A lot.
To sum up: Paul is a great guy, a brave photographer and an admirable human being but he is one of the worst writers I have ever read and this a painfully bad book to read. It's an amazing story but it should have been written by someone else. Ultimately the editor/publisher has a lot to answer for, bad editing and shameful use of Marie Colvin's name to sell Paul's bad writing. Absolutely not a 5 star book.
7 of 7 people found the following review helpful.
Incredible true account of a personal as well as a national tragedy tempered by the strength of the human spirit
By gavin neville
A good friend of mine, familiar with the Syrian situation recommended this book & told me to buy it. I'm so glad she did. A narrative that grabs you from the first page & does not let go at all. A true modern adventure showing the best and worst of the human spirit. Read it and open your eyes . Do yourself a favour !!
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