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This book is the first volume in a major new series, Oxford Television Studies and provides a comprehensive anthology on all the major issues relating to feminism and the production and reception of television. The feminist critical engagement with television has transformed the understanding of the medium. The initial focus on the domestic and explorations of the feminine has had to keep pace with an increasingly complex relationship between television programming, society, and women as producers and audience, contemporary theory, and the late twentieth-century society. Feminist Television Criticism explores that complexity. Most of the pieces selected deal with genres and topics that have been the dominant subjects of feminist television analysis-soaps mini-series, serials, sitcoms, housewives, "new women" heterosexual and lesbian romances, female audiences, and domesticity. Throughout, the focus is on feminist genres and how feminist critical understanding has developed in a historical perspective. Feminist Television Criticism will be an important teaching and study resource for all students and scholars working in the field of television studies, media studies, gender studies, and cultural studies.
- Sales Rank: #3204795 in Books
- Published on: 1997-07-17
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.00" w x 6.00" l,
- Binding: Hardcover
- 400 pages
Review
"Highly recommended for graduate studies and research in feminist, television, and cultural studies."--Choice
About the Author
Charlotte Brunsdon is Professor in the Department of Film and Television Studies at the University of Warwick. Julie Acci is Professor in the Department of Communication Arts at the University of Wisconsin-Madison. Lynn Spigel is Professor at the University of California at San Diego.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Thorough, but dated
By Dana G. Williams
I used this text as a source for my Master's Thesis. Although I found it gave plenty of information regarding older sitcoms, it was limited by those of I Love Lucy, Roseanne, etc. It doesn't give very much basic information on feminist media theory, instead it takes a Stuart Hall cultural critique-esque approach to analyze the images of women in certain television shows. However, the number of texts that you can get from the authors' listings of sources is very rich. I intially purchased this book because of previous article readings I had done by Julie D'Acci. The text at whole is very long, but broken down into articles could be very helpful for media theory classrooms.
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